Writings

TAKE WHAT YOU CAN GET AND CALL IT LOVE

In "Pipa", issue 1, June 2012, pp. 24-30.
| Affections |

Writings

BLACK IS YOU, BLACK IS ME, BLACK IS US...

In "A*Desk" {on-line}, <http://www.a-desk.org> {28.05.2012}.
| Critique |

Writings

IMPASSE 11

Centre d'Art la Panera, Lleida, 2012.
| Reader |

Writings

BREVE GLOSARIO DEL ARGOTE

In "Sin heroísmos, por favor", CA2M, Madrid, 2012, pp. 33-43.
| Art Practices |

Writings

LA ESCRITURA ENTRE LOS TEXTOS

In "La Alhóndiga" {on-line}, <http://www.alhondiga bilbao.com> {01.02.2012-15.04.2012}.
| Art Practices |

Writings

WHAT
SHOULD BE

In "Apuntes sobre el cielo", Diputación de Huesca, Huesca, 2011, pp. 11–29.
| Art Practices |

Writings

APUNTES SOBRE EL DISCURSO...

In "David Ferrando-Giraut. The Fantasist", Museo de Arte Contemporáneo Gas Natural Fenosa, A Coruña, 2011, pp. 21-23 and 55-57.
| Affections |

Writings

THE TELL-TALE SHOW

In "En Casa. The Tell-Tale Show", La Casa Encendida, Madrid, 2011, pp. 27-43.
| Art Practices |

Writings

EJERCICIOS
DE RECAPITU-LACIÓN...

In "Gabriel Pericàs. Il sembrait que le monde te pousse", Obra Social Caja Madrid, Barcelona, 2011, s/p.
| Art Practices |

Writings

TECNOLOGÍAS DEL ESPECTADOR

In "Alex Reynolds. Clara", Obra Social Caja Madrid, Barcelona, 2011, s/p.
| Art Practices |

Writings

EL MARCO
DE LA CONVENCIÓN

In "Mariona Moncunill. Especialització de la Biblioteca", Obra Social Caja Madrid, Barcelona, 2011, s/p.
| Art Practices |

Writings

AGENCIA-MIENTOS

In "Sergi Botella. El túnel y el miedo", Obra Social Caja Madrid, Barcelona, 2011, s/p.
| Art Practices |

Writings

SHUNGA

In "Kaiserin Magazine", issue 9, first semester 2011, pp. 81-84.
| Literature |

Writings

ET IN ARCADIA EGO

In "David Armstrong: 615 Jefferson Avenue", Damiani, Bologna, 2011, s/p.
| Art Practices |

Writings

HETERÓCEROS

In "Medianoche en la ciudad", Centre d'Art la Panera, Lleida / ARTIUM, Vitoria-Gasteiz, 2010, pp. 94–105.
| Affections |

Writings

ZARABANDAS DE LA REPRESEN-TACIÓN

In "Flux", Flux Festival, Barcelona, 2010, pp. 31–33.
| Art Practices |

Writings

SITUACIÓN GLOSARIO

In "TATUÍ", issue 8, february 2010, pp. 60-65.
| Art Practices |

Writings

CLEMENS VON WEDEMEYER

«On Cinema as Public Space» in "Kaleidoscope Magazine", issue 7, summer 2010, pp. 124-129.
| Interviews |

Writings

FRACASO

In "Antes que todo. Lecturas de verano", CA2M, Madrid, 2010, pp. 127-136.
| History of Subjectivity |

Writings

RUBÉN SANTIAGO

In "Situación. Seis", CGAC, Santiago de Compostela, 2010, pp. 2-7 and pp. 20-22.
| Interviews |

Writings

FÁBULA CON ANIMALES MUERTOS

In "Zeitgesit. Variations & Repetitions", Save As... Publications, Barcelona, 2010, p. 35.
| Display |

Writings

RELATIONSHIP STATUS

In "The Last Newspaper", issue 6 (The Last Observer), New Museum, New York / Latitudes, Barcelona, 2009, p. 6.
| Affections |

Writings

FAMILIAR FEELINGS

Texts selection of "Familiar Feelings", CGAC, Santiago de Compostela, 2009.
| Art Practices | | Interviews |

Writings

AQUÍ I ARA

In "In-stitution" {on-line}, <http://in-stitution.net> {16.07.2009}.
| On Curating |

Writings

A VISIÓN ESPECULAR

Texts selection of "Pequena historia da fotografía", CGAC, Santiago de Compostela, 2009.
| Art Practices |

Writings

SCREEN AFFECTIONS

In "Clemens von Wedemeyer. This Book presents seven Films", CGAC, Santiago de Compostela, 2009, pp. 115–131.
| Art Practices |

Writings

RUBÉN GRILO

In "Situación. Catro", CGAC, Santiago de Compostela, 2009, pp. 2-13 and pp. 25-30.
| Interviews |

Writings

UN PAR DE RESPUESTAS SON PREGUNTAS

In "European Curators Workshop", MUSAC/British Council, León, 2008, pp. 109–118.
| On Curating |

Writings

DAVID FERRANDO GIRAUT

In "Situación. Tres", CGAC, Santiago de Compostela, 2008, pp. 2-6, pp. 10-14 and pp. 26-30.
| Interviews |

Writings

MÓNICA CABO

In "Situación. Dous", CGAC, Santiago de Compostela, pp. 2-5 and pp. 17-18.
| Interviews |

Writings

ENRIQUE LISTA

In "Situación. Cinco", CGAC, Santiago de Compostela, pp. 2-11 and pp. 30-34.
| Interviews |

Writings

CARLOS RODRÍGUEZ-MÉNDEZ

In "Situación. Sete", CGAC, Santiago de Compostela, 2008, pp. 2-9 and pp. 31-34.
| Interviews |

Writings

EL SENTIDO DE LA LECTURA

In "Francesc Ruiz. La visita guiada", Museo Nacional Centro de Arte Reina Sofía, Madrid, 2008, s/p.
| Art Practices |

Writings

APUNTAMEN-
TOS PARA UN TEXTO HABITABLE

In "Carme Nogueira. Nos Camiños", CGAC, Santiago de Compostela, 2008, pp. 56–64.
| Interviews |

Writings

I KNOW IT'S OVER

In "Susan Philipsz. There Is Nothing Left Here", CGAC, Santiago de Compostela, 2008, pp. 88–99.
| Art Practices |

Writings

NARCISO FIN DE SIGLO

Melusina, Santa Cruz de Tenerife, 2008.
| History of Subjectivity |

Writings

PECES PER
A UN
PUZLE URBÀ

Ajuntament de Terrassa, Barcelona, 2008.
| Art Practices |

Writings

HERMENÉU-
TICA DO OBXECTO ALLEO

In "A Cidade Interpretada", Auditorio de Galicia, Santiago de Compostela, 2007, pp. 121–131.
| Art Practices |

Writings

SUSAN PHILIPSZ

«Memory Trigger» in "cmagazine", issue 95, fall 2007, pp. XX-XX.
| Interviews |

Writings

PATETISME INSTITUCIONAL

In "Mariona Moncunill. Institut d'Estadística Alternativa de Valls", Museu de Valls, Tarragona, 2007, pp. 2-3.
| Art Practices |

Writings

MICA

Sant Andreu Contemporani, Barcelona, 2006.
| Art Practices |

Writings

CUENTO CON ELLA

In "Santos Montes. Nunca sin tí", A Chocolatería, Santiago de Compostela, 2006, pp. 4-42.
| Art Practices |

Writings

ERIC SAUVÉ. BRUITS SOROLLS

In "Eric Sauvé. Bruits Sorolls", Ajuntament de Terrassa, Barcelona, 2005.
| Art Practices |

Writings

SER ESPECTADOR

In "La construcción del espectador", Fundación Luis Seoane, A Coruña, 2005, pp. XX–XX.
| Art Practices |